Wednesday, February 2, 2022

Noah Warren

 



Noah Warren fernandobanzi retrato


Barcelona: Implication


The Constellations are a harmoniously composed series of 23 gouaches that Miró painted to escape the trauma of the war years.
— The Joan Miró Foundation

We’ve all gouached.
Haven’t we? Pollock lashed
stretched canvas that was Nude.
Was said to call his Ruth prude
and he spat chew in a coffee can
and shat bloodily in the can.

When I was twenty I spent three
hours in a room with the Free-
Spirited Types moving from
one inviting orifice to the welcome
of another. I was lost in my wood,
savage and stern. But also I understood
that when it was later and I was wiser
I could never forgive Herr Pfizer.

My father said we’ve all got an East River.
He had a tenuous web of veins for a liver.
His loss. Literally. Mom’s impatient art
was proved to be the most effective part
of her mothering: you should see her rich greens
well up in the power of the middle and grow lean
as they colonize the crusted edges.
My love for her is impregnable.

Pity Miró, moonblind, weary on the rocky coast
of Portugal, walking cliff paths and getting lost.
His quest for childish wonder has bent him
and riddled his skin before its time.
Put this together with that! Paint it yellow!
Murk the sky with banks of Periwinkle and Snow.
Gouache a widened eye low on the right,
so it can behold the left and the night.


Noah Warren

 











Across from the Winter Palace


Do you remember when you began to travel?
It lent you this astonishing lens and you kept a journal
That rode in your breast pocket like a stone,
There you wrote “Limoges — ” and “Altenkirchen”;
And when you saw a peasant, kissed, or passed out — 
Died for twenty seconds — in the heat on the hill above
Marseille you would rush out the notebook and make a note — 
Sometimes just an x in the top right corner — 
And ideally you would brood about that later.

Which led slowly to the dark hot bar
Where you enjoy a glass of beer across from the Winter Palace in summer.
In the rose-and-blue windows of the basilica
Today radiant burghers stood and learned Mercy in a circle
Around Stephen, recognized
By the pebble enthroned in his skull and the scarlet ooze.

While in your system the amphetamines progress.
The idea is they’ll give you heart to haul yourself up and cross
The limestone plaza. And when at the gate of the place
You pay you can enter the Palace.


Tuesday, February 1, 2022

Marjorie Welish

Backtracking

WRITING in book annotating
NOT-WRITING in book  annotating a state of grace
A time to reap

The index
Not-writing the unsaid  to be found in quotients of
more experienced
incorrigible activity all day. Wait a minute. Problems of mind
From back to front.
An indistinct diet of difficulty  selectively
Pondered in nouns  from a few back pages of alphabetic
pulsations and values
Not quite predicted through strategic belief  astonishing the table
Of contents upfront
Rays and everything

Rewriting a stop
Is a pause such that
It need  not subsist on indemnity from unnamable  care
Hours minutes seconds rewriting the book inside out  rewritten.
Heretofore
The patent went to the thief
Disassembly  of onerous share of fair share arousing Meucci  to our time
To rewrite mere  fame
The erased trust.
May I have a second of your timer? A time to reap  valor and sorrow





Wayne Koestenbaum


Koestenbaum-Wayne-1_768x650_acf_cropped

 















[older I get]

older I get, more serious I become
about wearing
makeup and wig.
caftan, too. always interested in a rub, kind sir:
love yr eyebrows.
admittedly, my pix
disguise age.
mix turquoise, king’s blue, bluish purple: impose mix
on passive quinacridone
violet’s impersonality.
try to figure out how clearly delineated
“subject positions” find
angles of mutual
pleasurable engagement without
destroying each other.

Joan Rivers baking Xmas cookies seen sideways
through tunnel window’s
mirror lake Simi-
lac® simulacrum.
“this administration is the worst thing to happen
to orange since
Agent Orange,” quips pundit.
every novel I love is fragile. red stars
on black duffel bag
triangulate with
Lynn Redgrave’s in-
dependent sources of self-
esteem, not harvested from Lear.
wrongly seeking sublimity in barn-roof gutter crevice.

lucent ceiling corrugations a dauphinois
potato when his Pompeii
gaze claims me, then disappears.
kouros-carved lips, stone lingerie, scandal
pudding: congregated
shames comprise a menu.
hives on my calves, awaiting Purim-Benadryl’s
alleviation: sob-collapse
throws ash on coffin
lowered: crowded town
car back from cemetery
to capers, cream cheese.

abstract expressionism is what happened at the hospital:
fools disputing climate
change, Tiffany
blue establishing shot’s
concentrated inattention.
“I’m glad you gave up the figure,” she said:
but I haven’t
stopped pursuing nudes.
to be the dread golem, aloof in Prague, boning
up on feuilletonisme,
Eton pea-coat toggles
unclasping gelt-Jocasta.

Jackson Mac Low


lightchartweb (1) 

portion of the "Light Chart"

Kandinsky Nature Nacreous Zeke

{ Forties 8 }


Kandinsky nature nacreous f�untain - pachyderm
totalizing web-footed cloisonn�       frets
glassy-eyed threats       promulgating tapster
renunciatory petulant gropes       cleats       tansy fortifying
      garment-district-t�rt
f�rtune - whimsy bl�ster - sieve

Dreadlocks       watchpocket Cheez-Whiz masculinize
gross - S�tebos       debt-node f�ntasy - grain       p�sque
gramophone notable chr�me - plaster l�gicide - creep
fantabul�tion-corner       normalize ease mix lapwing
          groat       forg�t-it ecl�pse - module
n�ttle-berry r�g - proctologist

Vincent eviscerate exit poll       monarchic lambkill
siege       vortex academic Rome       dolorous z�p-toad
Venus's flytrap       check-it-�ut acc�untant-tab             Smoot
futurology vertical methadone nautical glib-annex�tion
      envisage       whirl       d�amond cull
lotus position       tucked-away tw�nge

Neglected playmobile azure executive n�rture - grid
vomitorium Local Group       Panasonic planetary fish
Dixie flagomorph island exactitude S�ugatuck - wheeze
succotash Asner demonstrable Lorca columnar
      p�rcupine - dance       disc�graphy - rinse       f�culty - torrent
liberty velvet encyclical gl�nt-nix

Greeting-paper multiply disc�very - grill       maniple
formic moxie ASCII varlet tarnish Is�crat�s* cl�ff-dweller
mortuary cream-bun lemur rectitude tw�st-evacuation
ancillary pet�te ensconce       Grosseteste           gl�om-basket
      t�tle-page       green-thumb passenger-pigeon escal�tion-magnet
grappa forbidden       dilapidated m�sonry - clasp


Alison Knowles for Jackson MacLow

jackson-mac-low

Bronx, 1975, photograph by Gerard Malanga


 An Imperfect Mesostic for Jackson Mac Low

 

Jackson MacLow



Mac Low in 1943 (used by permission of Anne Tardos)

Gamekeepers Dance to the Strokes of Syllables

An irregular curtal sonnet for Paul Blackburn

Put gamekeepers in your hills.
Breakfast on old grass.
Peace, quickly possible, continues speech-rhythms’ irrelevance.
Paragraphs machine you, poplar.
Be cleanly that.
Which of the gamekeepers is having December procedures?

November delivered pulled-paper mountains.
Well, but blue places dance and stroke in syllabic procedures.
November’s deliverance pulled down the paper mountains.
Well, but blue places dance to the strokes of syllables.
                Gamekeepers’ syllables. 


Derived diastically from The Collected Poems of Paul Blackburn, ed. Edith Jarolim (New York, Persea, 1985), 387--401, with ‘Paul Blackburn’ as seed text. A ‘curtal [shortened] sonnet’ (G.M. Hopkins) consists of a sestet followed by a quatrain and a half-line tailpiece. This one’s irregular in that it neither rhymes nor has the same number of feet or beats in every line. 

Jackson Mac Low

New York: 26–29 June 2000  

Jackson MacLow


Jackson Mac Low

1ST LIGHT POEM: FOR IRIS -- 10 JUNE 1962 

The light of a student-lamp  
sapphire light  
shimmer  
the light of a smoking-lamp 

Light from the Magellanic Clouds  
the light of a Nernst lamp  
the light of a naphtha-lamp  
light from meteorites 

Evanescent light  
ether  
the light of an electric lamp  
extra light 

Citrine light  
kineographic light  
the light of a Kitson lamp  
kindly light 

Ice light  
irradiation  
ignition  
altar light 

The light of a spotlight  
a sunbeam  
sunrise  
solar light 

Mustard-oil light  
maroon light  
the light of a magnesium flare  
light from a meteor 

Evanescent light  
ether  
light from an electric lamp  
an extra light 

Light from a student-lamp  
sapphire light  
a shimmer  
smoking-lamp light 

Ordinary light  
orgone lumination  
light from a lamp burning olive oil  
opal light 

Actinism  
atom-bomb light  
the light of an alcohol lamp  
the light of a lamp burning anda-oil 


Donald Barthelme

 

from Robert Kennedy Saved from Drowning


Attitude Toward His Work

      "Sometimes I can't seem to do anything. The work is there, piled up, it seems to me an insurmountable obstacle, really out of reach. I sit and look at it, wondering where to begin, how to take hold of it. Perhaps I pick up a piece of paper, try to read it but my mind is elsewhere, I am thinking of something else, I can't seem to get the gist of it, it seems meaningless, devoid of interest, not having to do with human affairs, drained of life. Then, in an hour, or even a moment, everything changes suddenly I realize I only have to do it, hurl myself into the midst of it, proceed mechanically, the first thing and then the second thing, that it is simply a matter of moving from one step to the next, plowing through it. I become interested, I become excited, I work very fast, things fall into place, I am exhilarated, amazed that these things could ever have seemed dead to me."


Barbara Guest

  Santa Fe Trail I go separately The sweet knees of oxen have pressed a path for me ghosts with ingots have burned their bare hands it is th...