
Barcelona: Implication
— The Joan Miró Foundation

Barcelona: Implication
WRITING in book annotating
NOT-WRITING in book annotating a state of grace
A time to reap
The index
Not-writing the unsaid to be found in quotients of
more experienced
incorrigible activity all day. Wait a minute. Problems of mind
From back to front.
An indistinct diet of difficulty selectively
Pondered in nouns from a few back pages of alphabetic
pulsations and values
Not quite predicted through strategic belief astonishing the table
Of contents upfront
Rays and everything
Rewriting a stop
Is a pause such that
It need not subsist on indemnity from unnamable care
Hours minutes seconds rewriting the book inside out rewritten.
Heretofore
The patent went to the thief
Disassembly of onerous share of fair share arousing Meucci to our time
To rewrite mere fame
The erased trust.
May I have a second of your timer? A time to reap valor and sorrow

older I get, more serious I become
about wearing
makeup and wig.
caftan, too. always interested in a rub, kind sir:
love yr eyebrows.
admittedly, my pix
disguise age.
mix turquoise, king’s blue, bluish purple: impose mix
on passive quinacridone
violet’s impersonality.
try to figure out how clearly delineated
“subject positions” find
angles of mutual
pleasurable engagement without
destroying each other.
Joan Rivers baking Xmas cookies seen sideways
through tunnel window’s
mirror lake Simi-
lac® simulacrum.
“this administration is the worst thing to happen
to orange since
Agent Orange,” quips pundit.
every novel I love is fragile. red stars
on black duffel bag
triangulate with
Lynn Redgrave’s in-
dependent sources of self-
esteem, not harvested from Lear.
wrongly seeking sublimity in barn-roof gutter crevice.
lucent ceiling corrugations a dauphinois
potato when his Pompeii
gaze claims me, then disappears.
kouros-carved lips, stone lingerie, scandal
pudding: congregated
shames comprise a menu.
hives on my calves, awaiting Purim-Benadryl’s
alleviation: sob-collapse
throws ash on coffin
lowered: crowded town
car back from cemetery
to capers, cream cheese.
abstract expressionism is what happened at the hospital:
fools disputing climate
change, Tiffany
blue establishing shot’s
concentrated inattention.
“I’m glad you gave up the figure,” she said:
but I haven’t
stopped pursuing nudes.
to be the dread golem, aloof in Prague, boning
up on feuilletonisme,
Eton pea-coat toggles
unclasping gelt-Jocasta.
portion of the "Light Chart"
Kandinsky Nature Nacreous Zeke
{ Forties 8 }Kandinsky nature nacreous f�untain - pachyderm
totalizing web-footed cloisonn� frets
glassy-eyed threats promulgating tapster
renunciatory petulant gropes cleats tansy fortifying
garment-district-t�rt
f�rtune - whimsy bl�ster - sieve
Dreadlocks watchpocket Cheez-Whiz masculinize
gross - S�tebos debt-node f�ntasy - grain p�sque
gramophone notable chr�me - plaster l�gicide - creep
fantabul�tion-corner normalize ease mix lapwing
groat forg�t-it ecl�pse - module
n�ttle-berry r�g - proctologist
Vincent eviscerate exit poll monarchic lambkill
siege vortex academic Rome dolorous z�p-toad
Venus's flytrap check-it-�ut acc�untant-tab Smoot
futurology vertical methadone nautical glib-annex�tion
envisage whirl d�amond cull
lotus position tucked-away tw�nge
Neglected playmobile azure executive n�rture - grid
vomitorium Local Group Panasonic planetary fish
Dixie flagomorph island exactitude S�ugatuck - wheeze
succotash Asner demonstrable Lorca columnar
p�rcupine - dance disc�graphy - rinse f�culty - torrent
liberty velvet encyclical gl�nt-nix
Greeting-paper multiply disc�very - grill maniple
formic moxie ASCII varlet tarnish Is�crat�s* cl�ff-dweller
mortuary cream-bun lemur rectitude tw�st-evacuation
ancillary pet�te ensconce Grosseteste gl�om-basket
t�tle-page green-thumb passenger-pigeon escal�tion-magnet
grappa forbidden dilapidated m�sonry - clasp

Bronx, 1975, photograph by Gerard Malanga
An Imperfect Mesostic for Jackson Mac Low

An irregular curtal sonnet for Paul Blackburn
Put gamekeepers in your hills.
Breakfast on old grass.
Peace, quickly possible, continues speech-rhythms’ irrelevance.
Paragraphs machine you, poplar.
Be cleanly that.
Which of the gamekeepers is having December procedures?
November delivered pulled-paper mountains.
Well, but blue places dance and stroke in syllabic procedures.
November’s deliverance pulled down the paper mountains.
Well, but blue places dance to the strokes of syllables.
Gamekeepers’ syllables.
Derived diastically from The Collected Poems of Paul Blackburn, ed. Edith Jarolim (New York, Persea, 1985), 387--401, with ‘Paul Blackburn’ as seed text. A ‘curtal [shortened] sonnet’ (G.M. Hopkins) consists of a sestet followed by a quatrain and a half-line tailpiece. This one’s irregular in that it neither rhymes nor has the same number of feet or beats in every line.
Jackson Mac Low
New York: 26–29 June 2000

The light of a student-lamp
sapphire light
shimmer
the light of a smoking-lampLight from the Magellanic Clouds
the light of a Nernst lamp
the light of a naphtha-lamp
light from meteoritesEvanescent light
ether
the light of an electric lamp
extra lightCitrine light
kineographic light
the light of a Kitson lamp
kindly lightIce light
irradiation
ignition
altar lightThe light of a spotlight
a sunbeam
sunrise
solar lightMustard-oil light
maroon light
the light of a magnesium flare
light from a meteorEvanescent light
ether
light from an electric lamp
an extra lightLight from a student-lamp
sapphire light
a shimmer
smoking-lamp lightOrdinary light
orgone lumination
light from a lamp burning olive oil
opal lightActinism
atom-bomb light
the light of an alcohol lamp
the light of a lamp burning anda-oil
from Robert Kennedy Saved from Drowning
"Sometimes I can't seem to do anything. The work is there, piled up, it seems to me an insurmountable obstacle, really out of reach. I sit and look at it, wondering where to begin, how to take hold of it. Perhaps I pick up a piece of paper, try to read it but my mind is elsewhere, I am thinking of something else, I can't seem to get the gist of it, it seems meaningless, devoid of interest, not having to do with human affairs, drained of life. Then, in an hour, or even a moment, everything changes suddenly I realize I only have to do it, hurl myself into the midst of it, proceed mechanically, the first thing and then the second thing, that it is simply a matter of moving from one step to the next, plowing through it. I become interested, I become excited, I work very fast, things fall into place, I am exhilarated, amazed that these things could ever have seemed dead to me."
Santa Fe Trail I go separately The sweet knees of oxen have pressed a path for me ghosts with ingots have burned their bare hands it is th...