Saturday, February 5, 2022

Ai (Florence Anthony)


florence anthony image









Riot Act, April 29, 1992

I'm going out and get something. 
I don't know what. 
I don't care. 
Whatever's out there, I'm going to get it. 
Look in those shop windows at boxes 
and boxes of Reeboks and Nikes 
to make me fly through the air 
like Michael Jordan 
like Magic. 
While I'm up there, I see Spike Lee. 
Looks like he's flying too 
straight through the glass 
that separates me 
from the virtual reality 
I watch everyday on TV. 
I know the difference between 
what it is and what it isn't. 
Just because I can't touch it 
doesn't mean it isn't real. 
All I have to do is smash the screen, 
reach in and take what I want. 
Break out of prison. 
South Central homey's newly risen 
from the night of living dead, 
but this time he lives, 
he gets to give the zombies 
a taste of their own medicine. 
Open wide and let me in, 
or else I'll set your world on fire, 
but you pretend that you don't hear. 
You haven't heard the word is coming down 
like the hammer of the gun 
of this black son, locked out of this big house, 
while massa looks out the window and sees only smoke. 
Massa doesn't see anything else, 
not because he can't, 
but because he won't. 
He'd rather hear me talking about mo' money, 
mo' honeys and gold chains 
and see me carrying my favorite things 
from looted stores 
than admit that underneath my Raider's cap, 
the aftermath is staring back 
unblinking through the camera's lens, 
courtesy of CNN, 
my arms loaded with boxes of shoes 
that I will sell at the swap meet 
to make a few cents on the declining dollar. 
And if I destroy myself 
and my neighborhood 
"ain't nobody's business, if I do," 
but the police are knocking hard 
at my door 
and before I can open it, 
they break it down 
and drag me in the yard. 
They take me in to be processed and charged, 
to await trial, 
while Americans forget 
the day the wealth finally trickled down 
to the rest of us.

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